19th Century Lover's Eye Miniature Mourning Brooch, National Portrait Gallery

19th Century Lover's Eye Miniature Mourning Brooch, National Portrait Gallery

Garments, Glances, Limbs, and Rivulets: Four Poems and an Essay on Poetic Research,” Common-place: the Journal of Early American Life, 19.1 (Spring 2019).

"Science and Medicine,"  Whitman in Context, eds. Joanna Levin and Edward Whitley (Cambridge: Cambridge University Press,  2018) 347-358.

"The Autopsy Elegies."  Journal of Poetics Research 8 (2018).

A Cultural Echo: Walt Whitman and America Today.”  Northerly (April 2017): 10-11.  Shortly after the 2016 U.S. Presidential election, I was interviewed by Northerly editor Barnaby Smith for this feature article on how and why we read Whitman in the aftermath of Trump.

"The Afterlives of Specimens: Walt Whitman and the Army Medical Museum,"The Walt Whitman Quarterly Review 32 (2014): 1-35.

"The Abyss of a Wound': Elegiac Shamanism in Alice Notley's Alma, or the Dead Women,Journal of Poetics Research 2 (2015).

"Unburied Trauma and the Exhumation of History: An American Genealogy," Trauma and Public Memory, eds. Jane Goodall and Christopher Lee (London: Palgrave Memory Studies Series, 2015) 131-147.

"The Haunting of Unburial: Mourning the Unknown in Whitman's America," Re-Reading Derrida: Perspectives on Mourning and its Hospitalities, eds. Judith Seaboyer and Tony Thwaites (Plymouth: Lexington, 2013) 61-75.

"Encrypting Katrina: Traumatic Inscription and the Architecture of Amnesia," (In)visible Culture: The Cultural Visualization of Hurricane Katrina 16 (2011).

"Specimens of Unworldliness': Walt Whitman and the Civil War," Remaking Literary History, eds. Helen Groth and Paul Sheehan (Newcastle: Cambridge Scholars, 2010) 143-156.

"A love so fugitive and so complete': Recovering the Queer Subtext of Claude McKay's Harlem Shadows,The Space Between: Literature and Culture, 1914-1945 4.1 (2008) 63-81.

For poetry, please see Lindsay’s CV for a publication list, or navigate to Poetry on the menubar to read a selection of her work.